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Cesira Ferrani (May 8, 1863 in Turin – May 4, 1943 in Pollone) was an Italian operatic soprano who is best known for debuting two of the most iconic roles in opera history, Mimì in the original 1896 production of Giacomo Puccini's ''La bohème'' and the title role in Puccini's ''Manon Lescaut'' in its 1893 world premiere. Ferrani sang a wide repertoire that encompassed not only verismo opera but the works of composers like Verdi, Gounod, Wagner, and Debussy. ==Career== Born Cesira Zanazzio, Ferrani studied with Antonietta Fricci in Turin before making her professional opera début in 1887 as Micaëla in Bizet's ''Carmen'' at the Teatro Regio di Torino. That same year she sang Gilda from Verdi's ''Rigoletto'' and Marguerite in Gounod's ''Faust'' at the same theater. Over the next four years she appeared in numerous productions in Catania, Genoa, and Venice. She also sang in several productions in France. In 1892 she appeared at the Teatro Carlo Felice as Amelia into Verdi's ''Simon Boccanegra'' and as the title role in Catalani's ''Loreley'' under Arturo Toscanini.〔 On 1 February 1893, Ferrani sang the title role in the world premiere of Puccini's ''Manon Lescaut'' at the Teatro Regio di Torino. It was the first time of many that she would sing opposite Giuseppe Cremonini, who originated the role of Chevalier des Grieux. In 1894 Ferrani and Cremonini reprised their roles in ''Manon Lescauts La Scala premiere and sang opposite each other in the world premiere of Alberto Franchetti's ''Il fior d'Alpe'' as Maria and Paolo. Ferrani later reprised the role of Manon in productions at the Teatro Colón in Buenos Aires and cities throughout Italy. In 1895 Ferrani sang the role of Suzel in ''L'amico Fritz'' at the Opéra de Monte-Carlo and created the title role in the world premiere of Giacomo Orefice's ''Consuelo'' at the Teatro Comunale di Bologna. The following year she portrayed the role of Mimì in the original production of Puccini's ''La bohème'' in Turin (1896). The day after the successful premiere of ''La bohème'', with the cast receiving 15 curtain calls, Puccini gave Ferrani his photograph with the dedication: "To my true and splendid Mimì, signorina Cesira Ferrani, with gratitude, G. Puccini" 〔Original Italian: "Alla mia vera e splendida Mimì, signorina Cesira Ferrani, riconoscente G. Puccini", quoted in Franchi, February 2006〕 Following the success of ''La bohème'', Ferrani embarked on performance tours of Russia and Spain, and appeared in productions in Cairo and Lisbon in addition to continuing to perform throughout Italy. In 1901 Ferrani sang in the world premiere of Mascagni's ''Le maschere'' at the Teatro Carlo Felice in Genoa.〔 At La Scala she sang Mélisande in the first Milan performance of ''Pelléas et Mélisande'' with Toscanini in 1908. Her other roles included Juliette from ''Roméo et Juliette'', Fanny in ''Sapho'', Charlotte from ''Werther'', Amelia from ''Simon Boccanegra'', Elisabeth in ''Tannhäuser'', and both Elsa in ''Lohengrin'' and Eva in ''Die Meistersinger'' among others. Her final appearance was in 1909 as Mélisande.〔J.B. Steane: "Cesira Ferrani", ''Grove Music Online'' ed. L. Macy (Accessed February 10, 2009), ((subscription access) )〕 In 1928 when the first recording of Puccini's ''Madama Butterfly'' was made, the Grammophone Company invited her out of retirement to sing Kate Pinkerton's handful of lines in Act 3. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Cesira Ferrani」の詳細全文を読む スポンサード リンク
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